Archives (1990-1999)
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Vol. 26, no. 1/2 (1999) Myths of the Modern Artist: Exposing the Pose / Postures et impostures de l'artiste moderne ​
guest edited by / sous la direction de Nicole Dubreuil et Johanne Lamoureux

Articles
  • Véronique Rodriguez | L’atelier institué en portrait de l’artiste moderne dans la littérature du XIXe siècle
  • Victor I. Stoichita and James Bugslag | Vaporization and/or Centralization: On the (Self-) Portraits of Manet and Degas
  • Heather Dawkins | Artists and After-Lives
  • Nicole Dubreuil | Renoir, susceptibilités épidermiques
  • Françoise Lucbert | La mise en lumière des indépendants. Le mythe de l’artiste isolé chez les écrivains symbolistes français
  • Nathalie Heinich | Paradigme ou modèle : Les héritiers de Van Gogh et les paradoxes de l’authenticité
  • Gerta Moray | “T’Other Emily” : Emily Carr, the Modern Woman Artist and Dilemmas of Gender
Commentary / Commentaires
  • Donald Preziosi | Virtual (Art) History
In Memoriam
  • Cynthia Hammond | Through Feminist Eyes: In Memory of Natalie Luckyj (2 May 1945 - 16 January 2002)
Reviews / Recensions
  • Francine Couture | Nathalie Heinich, Ce que l’art fait à la sociologie
  • Adele M. Ernstrom | Dian Kriz, The Idea of the English Landscape Painter: Genius as Alibi in the Early Nineteenth-Century
  • Allister Neher | Catherine M. Soussloff, The Absolute Artist: The Historiography of a Concept
  • Christopher Thomas | Kevin D. Murphy, Memory and Modernity: Viollet-le-Duc at Vézelay
  • Carol Zemel | Kalman P. Bland, The Artless Jew: Medieval and Modern Affirmations and Denials of the Visual
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Vol. 25, no. 1/2 (1998) Producing Women / Ces femmes qui produisent…
​guest edited by / sous la direction de Janice Helland and / et Catherine MacKenzie

Articles
  • Joan Acland | Elitekey: The Artistic Production of Mi’kmaq Women
  • Deborah Cherry | Troubling Presence: Body, Sound and Space in Installation Art of the mid-1990s
  • Christine Conley | Daughter in Exile: The Painting Space of Christiane Pflug
  • Cynthia Imogen Hammond | The Industry of Motherhood: Spring Hurlbut’s ‘L’ascension’ and Julia Margaret Cameron’s Wings
  • Catherine MacKenzie | Place Really Does Matter: Marion Greenwood’s 1947 ‘China’ Exhibition
  • Barbara Meadowcroft | How Many Artists Are There in the Family? : The Career of Montreal Painter Regina Seiden (1897-1991)
  • Elizabeth Mulley | Madonna/Mother/Death and Child: Laura Muntz and the Representation of Maternity
  • Lynne Pearce | The Viewer as Producer: British and Canadian Feminists Reading Prudence Heward’s Women
  • Joyce Zemans | A Tale of Three Women: The Visual Arts in Canada / A Current Account/ing
Reviews / Recensions
  • Elaine Cheasley | Ingrid Bachmann, Ruth Scheuing, Material Matters: The Art and Culture of Contemporary Textiles
  • Shannon Hunter Hurtado | Griselda Pollock, Differencing the Canon: Feminist Desire and the Writing of Art’s Histories
  • John Osborne | Debra Pincus, The Tombs of the Doges of Venice
  • Gwendolyn Trottein | Kathryn Brush, The Shaping of Art History. Wilhelm Vöge, Adolph Goldschmidt, and the Study of Medieval Art
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Vol. 24, no. 2 (1997) Breaking the Boundaries: Intercultural Perspectives in Medieval Art / Entamer les frontières : perspectives interculturelles dans l'art du Moyen-Age
guest edited by / sous la direction de Catherine Harding and / et John Osborne

Articles
  • Michael F. Reed | Norwegian Stave Churches and their Pagan Antecedents
  • Carol Knicely | Food for Thought in the Souillac Pillar: Devouring Beasts, Pain and the Subversion of Heroic Codes of Violence
  • Deirdre E. Jackson | Shields of Faith: Apotropaic Images of the Virgin in Alfonso X’s Cantigas de Santa Maria
  • Catherine Harding and Nancy Micklewright | Mamluks and Venetians: An Intercultural Perspective on Fourteenth-Century Material Culture in the Mediterranean
Reviews / Recensions
  • James Bugslag | Calvin B. Kendall, The Allegory of the Church: Romanesque Portals and Their Verse Inscriptions
  • Gail Chin | Elizabeth ten Grotenhuis, Japanese Mandalas: Representations of Sacred Geography
  • Catherine Harding | Gill Perry, Gender and Art (Art and its Histories : 3)
  • Jayne Wark | Amelia Jones, Body Art: Performing the Subject
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Vol. 24, no. 1 (1997)

Articles
  • Gillian Mackie | The Santa Croce Drawings: A Re-examination
  • Catherine Harding | Images of Authority, Identity, Power: Facade Mosaic Decoration in Rome during the Later Middle Ages
  • Catherine Pagani | From Woodblock to Textile: Imagery of Elite Culture in the Blue-and-White Embroideries of Sichuan
  • Christine Ross | Thinking Nation and Hybrid Belongings: The Aesthetics of Negotiation in Recent Media Art
Reviews / Recensions
  • Sandra Alfoldy | Margot Coatts, Pioneers of Modern Craft
  • Louise Bourdua | C. Jean Campbell, The Game of Courting and the Art of the Commune of San Gimignano, 1290-1320
  • Stephen J. Campbell | Clifford M. Brown, Guy Delmarcel Anna Maria Lorenzoni, Tapestries for the Courts of Federico II, Ercole, and Ferrante Gonzaga, 1522-63. College Art Association Monograph on the Fine Arts LII
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Vol. 23, no. 1/2 (1996)

Articles
  • Gillian Mackie | The San Venanzio Chapel in Rome and the Martyr Shrine Sequence
  • Claire Labrecque | Du ‘gothique picard’ au ‘picard renaissant’ : les voûtes de la chapelle du Saint-Esprit de Rue (1500-1525)
  • Cordula Bischoff | Albrecht Altdorfer’s Susanna and the Elders: Female Virtues, Male Politics
  • Lianne McTavish | Reproducing Poussin
  • Kristina Huneault | Flower-Girls and Fictions : Selling on the Streets
  • Alice Ming Wai Jim | An Analysis and Documentation of the 1989 Exhibition ‘Black Wimmin : When and Where We Enter’
Notes & Documents
  • Thomas Glen | Rethinking Bernini’s David: Attitude, Moment and the Location of Goliath
Reviews / Recensions
  • C. Jean Campbell | Cathleen Hoeniger, The Renovation of Paintings in Tuscany
  • Ernestine Daubner | Laurie Schneider Adams, The Methodologies of Art: An Introduction
  • Cynthia Hammond | Dolores Hayden, The Power of Place: Urban Landscapes as Public History
  • Joshua Heuman | Bruce Barber, Serge Guilbaut, John O’Brian, Voices of Fire: Art, Rage, Power, and the State
  • Robert Linsley | Charles Hill, The Group of Seven: Art For A Nation
  • Hayden B. J. Maginnis | Anne Derbes, Picturing the Passion in Late Medieval Italy: Narrative Painting, Franciscan Ideologies, and the Levant
  • John Osborne | Thomas Dale, Relics, Prayer, and Politics in Medieval Venetia: Romanesque Painting in the Crypt of Aquileia Cathedral
  • Ellen L. Ramsay | Dawn Ades, Tim Benton, David Elliott, Iain Boyd Whyte, Eric Hobsbawm, Neil Ascherson Art and Power: Europe Under the Dictators, 1930-1945

Vol. 22, no. 1/2 (1995)

Articles
  • John G. Hatch | Speculations on the Introduction and Role of Alexemata in Doric Temple Architecture
  • Glenn Gunhouse | The Significance of Peter in the Artistic Patronage of Desiderius, Abbot of Montecassino (1058-87)
  • John Osborne | The Hagiographie Programme of the Mosaics in the South Dome of San Marco at Venice
  • Catherine D. Harding | Dissent, Dissatisfaction and Papal Self-Fashioning : Pope Gregory IX’s Response to the Thirteenth-Century Reform Movement in the Facade Mosaic of San Pietro in Vaticano
  • Elizabeth Leesti | A Late Fifteenth-Century Parisian Book of Hours in a Canadian Collection
  • Corinne Mandel | Bartolommeo Traballesi’s Rain of Gold and the Poetics of Power in Francesco I’s Scrittoio in the Palazzo della Signoria, Florence
  • Nicole Dubreuil-Blondin | La légende de Raphaël. Les ‘grandes’ et les ‘petites’ vies d’une figure exemplaire de l’art, écrites en France au cours du XIXe siècle
  • Ernestine Daubner | Rrose/Duchamp in a Mirror
  • Charmaine Nelson | Coloured Nude: Fetishization, Disguise, Dichotomy
Reviews / Recensions
  • John Beldon Scott | Corinne Mandel, Sixtus V and the Lateran Palace
  • Caroline Stevens | Katy Deepwell, New Feminist Art Criticism: Critical Strategies; Norma Broude, Mary D. Garrard, The Power of Feminist Art: The American Movement of the 1970s, History and Impact
  • Anne Whitelaw | Reesa Greenberg, Bruce W. Ferguson, Sandy Nairne, Thinking About Exhibitions
  • Astri Wright | Annabel Teh Gallop, Early Views of Indonesio: Drawings from the British Library. Pemandangan Indonesia di Masa Lampau: Seni Gambar dari British Library
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Vol. 21, no. 1/2 (1994)

Articles
  • Vera Frenkel | Almost Broken: A Stroll at the Edge of the Cliff
  • Rose Marie Arbour | Identification de l’avant-garde et identité de l’artiste : les femmes et le groupe automatiste au Québec (1941-1948)
  • Shirley Ann Brown | The Influence of German Religious Stained Glass in Canada 1880-1940
  • Francine Couture | L’exposition de la modernité artistique, lieu de construction de l’identité nationale
  • Karen A. Finlay | Identifying with Nature: Graham Sutherland and Canadian Art, 1939-1955
  • François-Marc Gagnon | A.Y. Jackson, régionaliste québécois?
  • Sherry McKay | The Salon de la Princesse: “Rococo” Design, Ornamented Bodies and the Public Sphere
  • Karen Stanworth | “God Save the Queen”: Narrating Nationalism and Imperialism in Quebec on the Occasion of Queen Victoria’s Diamond Jubilee
  • Charlotte Townsend-Gault | If Art is the Answer, What is the Question? —Some Queries Raised by First Nations’ Visual Culture in Vancouver
Notes & Documents
  • Sylvain Bédard | Un portrait de David par Nicolas-Bernard Lépicié?
Reviews / Recensions
  • Steven Harris | Robert J. Belton, The Beribboned Bomb: The Image of Woman in Male Surrealist Art
  • Janice Helland | Eunice Lipton, Alias Olympia: A Woman’s Search for Manet’s Model and Her Own Desire
  • Sonia Lochner | David H. Solkin, Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England
  • Allister Neher | Erwin Panofsky, Irving Lavin, William S. Heckscher, Three Essays on Style
  • Angela Vanhaelen | Wayne Franits, Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art; Els Kloek, Nicole Teeuwen, Marijke Huisman, Women of the Golden Age: An International Debate on Women in Seventeenth-Century Holland, England and Italy
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Vol. 20, no. 1/2 (1993)

Articles
  • Carol Doyon | Les vingt ans de RACAR
  • Elizabeth Leesti | Carolingian Crucifixion Iconography: An Elaboration of a Byzantine Theme
  • James Bugslag | The Shrine of St. Gertrude of Nivelles and the Process of Gothic Design
  • Anne Dunlop | “El Vostro Poeta”: The First Florentine Printing of Dante’s Commedia
  • Kristin Evenden | The “Popish Midwife”: Printed Representations of Elizabeth Cellier and Midwifery Practice in Late Seventeenth-Century London
  • Sylvia Musto | Portraiture, Revolutionary Identity and Subjugation: Anne-Louis Girodet’s Citizen Belley
  • Adele M. Ernstrom | Anna Jameson and George Eliot
  • Elizabeth Tumasonis | Klinger’s Christ on Olympus: The Confrontation between Christianity and Paganism
  • Pierrette Jutras | Roger Fry et Clive Bell : divergences fondamentales autour de la notion de “Significant Form”
  • Nicole Dubreuil-Blondin | Le philosophe chez Velasquez : L’intrusion de Michel Foucault dans la fortune critique des Ménines
  • Mary Leigh Morbey | Aaron: Portrait of the Young Machine as a Male Artist
Reviews / Recensions
  • Corinne Mandel | Gwendolyn Trottein, Les Enfants de Vénus. Art et astrologie à la Renaissance
  • David Steinberg | Joseph D. Ketner, The Emergence of the African-American Artist: Robert S. Duncanson 1821-1872
  • Janice Helland | Deborah Cherry, Painting Women, Victorian Women Artists
  • Susan Douglas | Shirley Neuman, Glennis Stephenson, Re-lmagining Women: Representations of Women in Culture
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Vol. 19, no. 1/2 (1992)

Articles
  • George Donaldson, Corinne Mandel | Introduction
  • Cordula Grewe | Shaping Reality through the Fictive: Images of Women Spinning in the Northern Renaissance
  • Gabrielle Langdon | Pontormo and Medici Lineages: Maria Salviati, Alessandro, Giulia and Giulio de’ Medici
  • Barbara Arciszewska | A Villa Fit for a King: The Role of Palladian Architecture in the Ascendancy of the House of Hanover under George I
  • Joan Coutu | Philanthropy and Propaganda: The Bust of George III in Montreal
  • Jennifer McKendry | “A Residence Fir for Any Gentleman in the Country”: Three Kingston Villas by George Browne
  • Maureen Ryan | The Peasant’s Bonds to Gaul, God, Land and Nature: The Myth of the Rural and Jules Breton’s Le Chant de l’alouette
  • Angelika Pagel | Jugendstil and Racism: An Unexpected Alliance
  • Virginia Hagelstein Marquardt | Centre Stage: Radical Theatre in America, 1925-1934
  • Alexandra de Luise | Le Arti and Intervention in the Arts
  • Tom Smart | Letters to Canada: Jack Chambers’ Correspondence with Charles Greenshields, 1955-1962
Reviews / Recensions
  • Catie Anne Cadge | Arni Browstone, War Paint: Blackfoot and Sarcee Painted Buffalo Robes in the Royal Ontario Museum
  • Thomas E. A. Dale | Marcia Kupfer, Romanesque Wall Painting in Central France: The Politics of Narrative
  • Anthony Hamber | Larry J. Schaaf, Out of the Shadows. Herschel, Talbot & the Invention of Photography
  • Catherine Harding | Jill Dunkerton, Susan Foister, Dillian Gordon, Nicholas Penny, Giotto to Dürer: Early Renaissance Painting in the National Gallery
  • Christopher Thomas | Michael Snodin, Karl Friedrich Schinkel: A Universal Man
  • Udo Kultermann | Hilde Zaloscer, Zur Genese der koptischen Kunst: Ikonographische Beiträge
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Vol. 18, no. 1/2 (1991)

Articles
  • Nicole Dubreuil-Blondin | L’art moderne comme objet d’histoire
  • Serge Guilbaut | Point de chute
  • William Wood | Boudoir Scissorhands: Matisse, the Cut-outs and the Canon
  • John O’Brian | MoMA’s Public Relations, Alfred Barr’s Public, and Matisse’s American Canonization
  • Louis Cummins | Multiplicités surréalistes
  • Joseph Monteyne | Circus at the End of History: Wols in the Late Thirties and Early Forties
  • Johanne Lamoureux | La théorie des ruines d’Albert Speer ou l’architecture ‘futuriste’ selon Hitler
  • Shep Steiner | Fascism and Acephalic Man: Masson, Bataille, Lacan, and the Orgy of Blood
  • Cécile Whiting | Figuring Marisol’s Femininities
  • Lise Lamarche | Les leçons singulières : Une sculpture urbaine
Reviews / Recensions
  • Claude Bergeron | Jean-Louis Cohen, Le Corbusier and the Mystique of the USSR: Theories and Projects for Moscow, 1928-1936
  • Nicole Dubreuil-Blondin | René Payant, Vedute. Pièces détachées sur l’art 1967-1987
  • Jenny Anger | Review: How Many Klee’s Today?
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Vol. 17, no. 2 (1990)

Articles
  • Kathryn L. Brush | Power, Politics, and Demonstration in Thirteenth-Century Mainz: The Tomb Slab of Archbishop Seigfried III von Eppstein (1249)
  • Dennis Sexsmith | The Radicalization of Joan of Arc Before and After the French Revolution
  • Catherine Brisac | Le vitrail néo-gothique en France au XIXe siècle
  • Maureen Ryan | Picturing Canada’s Native Landscape: Colonial Expansion, National Identity, and the Image of a ‘Dying Race’
  • Ellen L. Ramsay | Picturing the Picturesque: Lucius O’Brien’s Sunrise on the Saguenay
  • Marion J. Hare | Autobiographical Notes by Rodin in a Letter to Gaston Schefer, 1883
  • Carol Doyon | Les écrits de Wassily Kandinsky ou le discours des fondements de la peinture abstraite
  • Paul H. Walton | The Group of Seven and Northern Development
Reviews / Recensions
  • ​Nicole Dubreuil-Blondin | L’entrepreneur et les impressionnistes. Exposition de la collection d’Emil G. Bührle présentée au Musée des beaux-arts de Montréal du 3 août au 14 octobre 1990
  • Cathleen Hoeniger | John Shearman, Marcia B. Hall, The Princeton Raphael Symposium: Science in the Service of Art History
  • Yves Thomas | Jean-Paul Bouillon, La Critique d’art en France 1850-1900
  • Charlotte Stokes | Elizabeth M. Legge, Max Ernst: The Psychoanalytic Sources
  • Thomas Tritschler | Anna C. Chave, Mark Rothko: Subject in Abstraction
  • Ellen L. Ramsay | Howard Smagula, Re-Visions: New Perspectives of Art Criticism
  • Aïda Yuen | Alfreda Murck, Wen C. Fong, Words and Images: Chinese Poetry, Calligraphy, and Painting
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Vol. 17, no. 1 (1990)

Articles
  • Rosemarie Bergmann | Hans Sachs Illustrated: Pamphlets and Broadsheets in the Service of the Reformation
  • Corinne Mandel | Starry Leo, the Sun, and the Astrological Foundations of Sixtine Rome 
  • Sylvain Bédard | David à Naples : une source pour le Saint Jérôme de Québec
  • J. Philip McAleer | The Chancel of St. Paul’s Anglican Church, Halifax, Nova Scotia: Form Follows Convenience?
  • Elizabeth Tumasonis | The Piper among the Ruins: The God Pan in the Work of Arnold Böcklin
  • Mark A. Cheetham | Plato’s Poison and Sérusier’s Emergent Abstract Painting
  • Dolores Mitchell | Edward Hopper’s Gas: Two Roads Diverge
Reviews / Recensions
  • Philip McAleer | Stephen Murray, Building Troyes Cathedral: The Late Gothic Campaigns
  • Virgil Hammock | Monique Brunet-Weinmann, Medium: Photocopy
  • George Hardy |  Richard Kuhns, Psychoanalytic Theory of Art: A Philosophy of Art on Developmental Principles
  • Glenn Peers | Jaroslav Pelikan, Imago Del: The Byzantine Apologia for Icons
  • Michael Zell | H. Perry Chapman, Rembrandt’s Self-Portraits: A Study in Seventeenth-Century Identity
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