Couverture : Pegi Nicol MacLeod, Self-Portrait, 1928. Oil on plywood. Agnes Etherington Art Centre, Queen’s University, Kingston. Gift of the Estate of Richard Finnie, 1995. (38-013.02).
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Numéro courant
vol. 46, n° 1 (Printemps 2021) Le prix de reconnaissance et le prix pour l’ensemble des réalisations de l’UAAC / AAUC Marie-Maxime de Andrade | Omer Parent : artiste-décorateur Robin Lynch | Man Scans : The Matter of Expertise in Art and Technology Histories Jessica Santone | The Feminist Consciousness Raising Circle as Pedagogical Form in Suzanne Lacy and Julia London’s Freeze Frame (1982) Devon Smither | Duration and Unfinish in Pegi Nicol MacLeod’s Self-Portraits Marnin Young | Impressionism and Imperialism in Maurice Cullen’s African River Prix du meilleur essai par un·e doctorant·e au congrès de l’UAAC/AAUC de 2020 Marie Ferron-Desautels | Satire et sociabilité au coeur de la pratique caricaturale de Lady Dalhousie (1786-1839) : vers une histoire des femmes caricaturistes britanniques |
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Recensions
Siobhan Angus | John O’Brian, The Bomb in the Wilderness: Photography and the Nuclear Era in Canada; Claudette Lauzon and John O’Brian, eds., Through Post-Atomic Eyes Alena Buis | Rosemary Shipton, ed., Canada and Impressionism: New Horizons Nicholas Chare | Anthony White, Italian Modern Art in the Age of Fascism Nicole Elizabeth Cook | Jacquelyn N. Coutré, with Piet Bakker, Janet M. Brooke, and Stephanie S. Dickey, Leiden circa 1630: Rembrandt Emerges Nikolas Drosos | Bojana Videkanić, Nonaligned Modernism : Socialist Postcolonial Aesthetics in Yugoslavia, 1945–1985 Ray Ellenwood | François-Marc Gagnon, Jean Paul Riopelle and the Automatiste Movement Gregg French | M. Elizabeth Boone, “The Spanish Element in Our Nationality” : Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915 |
Omer Parent, « Vue intérieure du magasin Morgan — Le Salon de beauté », 1929-1936, photographie. Photo: Bibliothèque et archives nationales du Québec, Fonds Omer Parent.
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Sonia Sheridan, “Man Scan” avec Ric Puls, 1974. Processus : Color-in-Color; Photo : Dennis Longwell; 1 slide, col.; 35 mm. La fondation Daniel Langlois pour l'art, la science et la technologie, fonds Sonia Landy Sheridan. Courtoisie fondation Daniel Langlois et Cinémathèque Québécoise, Montreal.
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Katie Oates | Lori Pauli, ed., Oscar G. Rejlander: Artist Photographer
Maryse Ouellet | Emmanuel Alloa, Partages de la perspective Marie-Lise Poirier | Jillian Lerner, Graphic Culture. Illustration and Artistic Enterprise in Paris, 1830–1848 Charles Reeve | Phillip Spectre, Richard Hamilton: Introspective Catherine Stuer | Anthony W. Lee, The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China Andrea Terry | Natalie Alvarez, Claudette Lauzon, and Keren Zaiontz, eds., Sustainable Tools for Precarious Times: Performance Actions in the Americas |
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