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Journal of the Universities Art Association of Canada (UAAC)

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Cover: Donald Rodney, In the House of My Father, 1996/1997. Photograph, c-print on paper, mounted on aluminum, 123 x 153 cm. Tate, presented by the Patrons of New Art (Special Purchase Fund) 2001. © The estate of Donald Rodney. Photo: © Tate.
Current Issue
49, no. 2 (Fall 2024)
Cripping Visual Cultures 
Guest editors: Patricia Bérubé, Jessica A. Cooley, Sarah Heussaff, Stefanie Snider

[FULL ISSUE PDF]


​​Patricia Bérubé, Jessica A. Cooley,
Sarah Heussaff, and Stefanie Snider 
| Introduction
​

​
Methods in Art, Museums, and Art History

Rachel da Silveira Gorman and Jenna Reid | Where Are We Now? Whiteness, Access, and Aesthetics of Absence in Disability Art

Joelle D.J. Wickens and Sally Gunhee Kim | Cripping Conservation of Cultural Heritage 

PRACTICES / PRATIQUES
Caroline Mauxion | Histoires de regards



Viewing, Watching, (Un)Knowing

PRACTICES / PRATIQUES
Atanas Bozdarov | Cripping Failure 

Bert Stabler | Hospital, Asylum, Prison, Gallery: Debility and Aesthetic Infrastructure
​
PRACTICES / PRATIQUES
Lucie Camous | Journal de bord d’Ostensible - Vers l’élaboration de stratégies de résistance 2022-2023  ​

Viscerality, Bodies, Unruly Forms

PRACTICES / PRATIQUES
Grace Flott | Pretty Ugly: Toward a Joyful Vision of Disfigurement 

Madelaine Caritas Longman | Precarious Life: Disability Aesthetics in the Art of Jean-Michel Basquiat 

Virginia Marano, Charlotte Matter, and Laura Valterio | Bodily Matter and Complex Embodiment in the Art of Donald Rodney 

Kelsie Acton and Sydney Erlikh | Contrary Dancing Bodymind: Impairment Elision and The Binaries of IDD Dance 

PRACTICES / PRATIQUES
Jillian Crochet | Handle with Care 
​
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Panteha Abareshi, A Pound of Flesh, 2022. Mixed media. Courtesy of the artist and TORUS, Los Angeles. Photo: Ruben Diaz.

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Grace A. Flott, Let it Shine (Portrait of Kari), 2023. Oil on aluminum panel, 66 x 66 cm. Collection of the artist, Seattle, WA. Photo: Courtesy of the artist.
Reviews

Alexandra Borkowski | Adam Lauder, ed., Variable Conditions: Paracomputational Arts in Canada, 1965–1995 

Nicholas Chare | Griselda Pollock with Adrian Rifkin and Rachel Dickson, Woman in Art: Helen Rosenau’s “Little Book” of 1944 

Tammer El-Sheikh | Marcus Milwright and Evanthia Baboula, eds., Made for the Eye of One Who Sees: Canadian Contributions to the Study of Islamic Art 

Cynthia Fang | Leah R. Clark, Courtly Mediators: Transcultural Objects between Renaissance Italy and the Islamic World 

Katie Filek | Matthew M. Reeve and Michael Windover, eds., Casa Loma: Millionaires, Medievalism, and Modernity in Toronto’s Gilded Age 

Margaryta Golovchenko | Siobhan Angus, Camera Geologica: An Elemental History of Photography 

Sophie Guignard | Radical Stitch/Perler, radicalement, Musée des beaux-arts du Canada; Shelley Niro: 500 Year Itch [Shelley Niro : 500 ans de réflexion], Musée des beaux-arts du Canada 

Friederike Landau-Donnelly, Kirsty Robertson, and Sarah E.K. Smith | Old Town, New Approach, Royal BC Museum

Laurence Niro | Andrea Oberhuber, Faire oeuvre à deux : Le Livre surréaliste au féminin 

Itay Sapir | Joana Barreto, Gaspard Delon et Pauline Lafille, dirs., Vivre la bataille? Expérience et participation dans les arts. XVe-XXIe siècle 

WE THANK:
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