RACAR
  • Home
  • Accueil
  • About
    • Editorial Team
    • Style Guide
    • Call for Papers The Sources of Research-Creation: Historical and Multicultural Perspectives
    • UAAC-AAUC Awards
    • Submit an article
    • Submit a book or exhibition review
    • Submit a proposal for a special issue
    • Submit a proposal for a Polemics section
    • Submit a proposal for a Practices section
  • À propos
    • Équipe de rédaction
    • Protocole de rédaction
    • Prix
    • Appel à publications Aux sources de la recherche-création : perspectives historique et multiculturelle
    • Proposez un article
    • Proposez une recension
    • Proposez un dossier thématique
    • Proposez une section « Polémiques »
    • Proposez une section « Pratiques »
  • Reviews / Recensions
    • Books / Livres
    • Exhibitions / Expositions
  • Archives
    • 2021-
    • 2010-2020
    • 2000-2009
    • 1990-1999
    • 1980-1989
    • 1974-1979

Journal of the Universities Art Association of Canada (UAAC)

Picture

Call for Papers
The Sources of Research-Creation: Historical and Multicultural Perspectives
​RACAR special issue to be published October 2023

Français​
Picture
Cover: 1300 ans Bulgarie, 1981. Sculptor: Valentin Startchev. Architects: Alexandre Barov, Atanas Agoura, Vladimir Romenski, Alexandre Branov. Photo: Personal Archives of Valentin Startchev (1986).
Current Issue
46, no. 2 (Fall 2021)
"Revised Commemoration" in Public Art: What Future for the Monument?

Guest editors

Analays Alvarez Hernandez and Marie-Blanche Fourcade

Editors' Note
​
Analays Alvarez Hernandez and Marie-Blanche Fourcade | Introduction

I. APPROACHING THE MONUMENT

Ina Belcheva | Palimpsestes mémoriels : démantèlements et résurgences de deux monuments en Bulgarie postsocialiste

Raino Isto | “Weak Monumentality”: Contemporary Art, Reparative Action, and Postsocialist Conditions

Nina Sanadze | PORTFOLIO
​



II. COMMEMORATION 2.0: UPDATES 

Adrian Anagnost | Dread Scott’s Slave Rebellion Reenactment: Site, Time, Embodiment

COMMENTARY
Analays Alvarez Hernandez | The Life and Death of the Monument in the Era of Social Networks: New Communities of Memory

PRACTICES
Brandon Vickerd | Monumental Remix: Subverting the Monument in Canada’s Public Spaces

Noémie McComber | PORTFOLIO

​
III. MORAL RIGHTS AND PUBLIC ART: AN ASSESSMENT

François Le Moine | La loi, la statue et l’artiste : L’apport du droit moral aux débats sur la commémoration
Picture
Documentation of Slave Rebellion Reenactment, a community performance initiated by Dread Scott outside New Orleans, November 8, 2019. Photo courtesy the artist and Antenna Works.

Picture
Noémi McComber, Nouveaux drapeaux pour vieux monuments, urban intervention and photo series, Dare-Dare, Montreal, 2011.
Thematic Reviews

Cameron Cartiere | Sierra Rooney, Jennifer Wingate, and Harriet F. Senie, eds., Teachable Monuments: Using Public Art to Spark Dialogue and Confront Controversy 
 
Rodrigo D’Alcântara | Ana Lucia Araujo, Slavery in the Age of Memory: Engaging the Past 

Julie Deschepper | Federico Bellentani, The Meanings of the Built Environment: A Semiotic and Geographical Approach to Monuments in the Post-Soviet Era 
 
Felicia F. Leu | Fred Evans, Public Art and the Fragility of Democracy: An Essay in Political Aesthetics 
 
Varda Nisar | Sabine Marschall, ed., Public Memory in the Context of Transnational Migration and Displacement: Migrants and Monuments 
 
Laurent Vernet | Entrepreneurs du commun, Monuments aux victimes de la liberté; Paul M. Faber et Ken Lum (dir.), Monument Lab. Creative Speculations for Philadelphia 





Reviews

Katrie Chagnon | Giovanna Zapperi, Carla Lonzi : un art de la vie. Critique d’art et féminisme en Italie
 
Adrienne L. Childs | Rebecca VanDiver, Designing a New Tradition: Loïs Mailou Jones and the Aesthetics of Blackness 
 
Mitchell B. Frank | Nina Amstutz, Capar David Friedrich: Nature and the Self 
 
Margaryta Golovchenko | Irene Gammel and Suzanne Zelazo, Florine Stettheimer: New Directions in Multimodal Modernism 
 
Catherine Harding | Livia Stoenescu, ed., The Interaction of Art and Relics in Late Medieval and Early Modern Art
 
Didier Morelli | Lesley Johnstone and Monika Kin Gagnon, In Search of Expo 67 
 
Georgia Phillips-Amos | Heather Diack, Documents of Doubt: The Photographic Conditions of Conceptual Art 
 
Marie-Lise Poirier | Charlotte Guichard, La griffe du peintre. La valeur de l’art (1730-1820) 
 
Itay Sapir | Péter Bokody et Alexander Nagel (eds.), Renaissance Metapainting 

Andrea Terry | Shelley Hornstein, Architectural Tourism: Site-Seeing, Itineraries and Cultural Heritage 
Picture
Luiza Margan, Eye to Eye with Freedom, 2014. Public intervention, Rijeka, Croatia. Courtesy of the artist.

WE THANK:
Picture

Picture
Picture
Picture
Picture

    Stay up to date with the latest from RACAR

Subscribe to Newsletter
Subscribe to RACAR!

Home

UAAC-AAUC

Contact

Copyright © 2015