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Journal of the Universities Art Association of Canada (UAAC)

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Cover: Génétiquement modifiable, installation by 1×1×1 Creative Lab (Emmanuelle Champagne, Laurie Gosselin, Guillaume Morest, Olivier Vallerand), Québec City and Montréal, 2010. Photo: Olivier Vallerand.
Current Issue
45, no. 2 (Fall 2020)

Approaching Home : New Perspectives on the Domestic Interior 

Guest editors
Erin J. Campbell and Olivier Vallerand


Editors' Note

Erin J. Campbell and Olivier Vallerand | Introduction
​

I – COMMUNITY

Linda Stone-Ferrier | Glimpses, Glances and Gossip: Seventeenth-Century Dutch Paintings of Domestic Interiors on Their Neighbourhood’s Doorstep

Angela Andersen and Can Gündüz | Sweeping the Meydan: Home and Religious Ceremony Amongst the Alevis



II – NATION BUILDING

Francesco Freddolini | (Re)imagining Asian Rulers in Athanasius Kircher’s China Illustrata: The Agency of Interiors
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Magdalena Milosz | Simulated Domesticities: Settings for Colonial Assimilation in Mid-Twentieth-Century Canada

Mitchell B. Frank | Max Liebermann: Assimilation and Belonging


III – CURATED DOMESTICITIES

Katherine Dennis | PRACTICES  – Reflections on One Story Among Many: Memories of the Future III (2018) 

Marie-Ève Marchand | Exposer l’intérieur domestique : le cas de la salle Boucher de la Frick Collection 

Katherine Lapierre | PRACTICES – L’Outsider et le potentiel évolutif de l’image de la maison ​
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Workshop of Jean Lefebvre after Charles Le Brun, The Audience with Cardinal Chigi, 1665–1672. Wool, silk, and gilt-metal-wrapped thread. Paris, Louvre. © RMN-Grand Palais / Art Resource, NY.

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Cover of Small House Designs (1957) and Canadian Indian Homes (1959). Reproduced from Small House Designs (Ottawa: Central Mortgage and Housing Corporation, 1957) and Canadian Indian Homes (Ottawa: Indian Affairs Branch, Department of Citizenship & Immigration, 1959).
Thematic Reviews

Angela Andersen and Can Gündüz | Marco Faini and Alessia Meneghin, eds., Domestic Devotions in the Early Modern World
Eve Baboula | Jenn Cianca, Sacred Ritual, Profane Space: The Roman House as Early Christian Meeting Place 
Menno Hubregtse | Brian Carter, ed., boundary, sequence, illusion: Ian MacDonald Architect 
Marie-Paule Macdonald | Lezli Rubin-Kunda, At Home: Talks with Canadian Artists about Place and Practice; Mark Wigley, ed., Cutting Matta-Clark: The Anarchitecture Investigation; Kitty Scott, ed., Theaster Gates: How to Build a House Museum, exh. cat.
John Potvin | Oliver Vallerand, Unplanned Visitors: Queering the Ethics and Aesthetics of Domestic Space 
Colin Ripley | John Potvin and Marie-Ève Marchand, eds., Design and Agency: Critical Perspectives on Identities, Histories, and Practices 
Olivier Vallerand | Francesco Garutti, dir., Nos jours heureux : architecture et bien-être à l’ère du capitalisme émotionnel 
 


Reviews
 
Allan Antliff | Anne Dymond, Diversity Counts: Gender, Race and Representation in Canadian Art Galleries 
Carolyn Butler-Palmer | Solen Roth, Incorporating Culture: How Indigenous People are Reshaping the Northwest Coast Art Industry 
Leïla El-Wakil | Ariane Varela Braga, Une théorie universelle au milieu du XIXe siècle. La Grammar of Ornament d’Owen Jones  
Sally Hickson | Christopher Heuer, Into the White: The Renaissance Arctic and the End of the Image 
Kayoko Ichikawa | Herbert L. Kessler and Richard G. Newhauser, eds., with the assistance of Arthur J. Russel, Optics, Ethics, and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s Moral Treatise on the Eye 
Godfre Leung | Ken Lum, Everything is Relevant: Writings on Art and Life, 1991–2018 
Kim Rondeau | Rachel Epp Buller et Charles Reeve (dir.), Inappropriate Bodies: Art, Design, and Maternity 
Catherine Soussloff | Ersy Contogouris, Emma Hamilton and Late Eighteenth-Century European Art: Agency, Performance, and Representation
David Theodore | Natalie Loveless, How to Make Art at the End of the World: A Manifesto for Research-Creation 
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Cindy Mochizuki, Sue Sada Was Here, 2018, film still. Courtesy of the artist.

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