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This site (www.racar-racar.com) will continue to be maintained for archival purposes.
Cover: Donald Rodney, In the House of My Father, 1996/1997. Photograph, c-print on paper, mounted on aluminum, 123 x 153 cm. Tate, presented by the Patrons of New Art (Special Purchase Fund) 2001. © The estate of Donald Rodney. Photo: © Tate.
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Current Issue
49, no. 2 (Fall 2024) Cripping Visual Cultures Guest editors: Patricia Bérubé, Jessica A. Cooley, Sarah Heussaff, Stefanie Snider [FULL ISSUE PDF] Patricia Bérubé, Jessica A. Cooley, Sarah Heussaff, and Stefanie Snider | Introduction Methods in Art, Museums, and Art History Rachel da Silveira Gorman and Jenna Reid | Where Are We Now? Whiteness, Access, and Aesthetics of Absence in Disability Art Joelle D.J. Wickens and Sally Gunhee Kim | Cripping Conservation of Cultural Heritage PRACTICES / PRATIQUES Caroline Mauxion | Histoires de regards |
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Viewing, Watching, (Un)Knowing
PRACTICES / PRATIQUES Atanas Bozdarov | Cripping Failure Bert Stabler | Hospital, Asylum, Prison, Gallery: Debility and Aesthetic Infrastructure PRACTICES / PRATIQUES Lucie Camous | Journal de bord d’Ostensible - Vers l’élaboration de stratégies de résistance 2022-2023 Viscerality, Bodies, Unruly Forms PRACTICES / PRATIQUES Grace Flott | Pretty Ugly: Toward a Joyful Vision of Disfigurement Madelaine Caritas Longman | Precarious Life: Disability Aesthetics in the Art of Jean-Michel Basquiat Virginia Marano, Charlotte Matter, and Laura Valterio | Bodily Matter and Complex Embodiment in the Art of Donald Rodney Kelsie Acton and Sydney Erlikh | Contrary Dancing Bodymind: Impairment Elision and The Binaries of IDD Dance PRACTICES / PRATIQUES Jillian Crochet | Handle with Care |
Panteha Abareshi, A Pound of Flesh, 2022. Mixed media. Courtesy of the artist and TORUS, Los Angeles. Photo: Ruben Diaz.
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