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Mary Slavkin | Fairies, Passive Female Sexuality, and Idealized Female Archetypes at the Salons of the Rose + Croix
Michelle Veitch | Re-Crafting Ornamental Display: Millie Chen’s Wallpaper Intervention in Chinoiserie Decorative Design Caitlyn E. Ryan | Eli Lotar and Jacques-André Boiffard aboard the Exir Dallen Eli Lotar, Mazagan, Morocco. Loading and transportation of hemp, ca. 1933-1935. Silver gelatin print, 29.9 x 39.8 cm. Centre Georges Pompidou, Paris, France. Photo: CNAC/MNAM/Dist. RMN-Grand Palais / Art Resource, NY.
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Exhibition Françoise Sullivan, chorégraphie de la matière, Galerie Simon Blais, Montreal, October 10, 2018. Foreground: Océan, 1968. Plexiglass and metal; Background, corner of a painting from the Damiers series (2018). Photo: Guy L'heureux.
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Reviews | Recensions
Ray Ellenwood | Exhibitions, Manifestos, and the Seventieth Anniversary of Refus global Christine Conley | Leah Modigliani, Engendering an Avant-Garde: The Unsettled Landscapes of Vancouver Photo-Conceptualism Julie Graff | Aki Odehi : cicatrices de la Terre-Mère Natalie Loveless | Heather Davis, ed., Desire Change: Contemporary Feminist Art in Canada Édith-Anne Pageot | Kristina Huneault, I’m not myself at all: Women, Art, and Subjectivity in Canada Julia Skelly | Dominic Hardy, Annie Gérin, and Lora Senechal Carney, eds., Sketches from an Unquiet Country: Canadian Graphic Satire 1840-1940 |
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Alison Syme | Melissa Berry, The Société des Trois in the Nineteenth Century: The Translocal Artistic Union of Whistler, Fantin-Latour, and Legros
Stephanie Weber | Balenciaga: Master of Couture, McCord Museum Erin Webster | Diana Newall, ed., Art and Its Global Histories: A Reader Michael Windover | John Leroux and Thaddeus Holownia, A Vision in Wood & Stone: The Architecture of Mount Allison University Dovima and Sacha, cloche and suit by Balenciaga, Café Les Deux Magots, Paris, 1955. Photo: Richard Avedon © The Richard Avedon Foundation. |
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WE THANK:
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