Archives (2000-2009)

Vol. 34, no. 2 (2009)

Articles

• Mickaël Bouffard-Veilleux | Gérard Morisset (1898-1970) et le portrait au Québec : reflets d’un idéal canadien-français
• Florence Chantoury-Lacombe | L’insectarium de l’histoire de l’art ou le pouvoir de fascination de la peinture (Hommage à Daniel Arasse)
• Menno Hubregtse | Robert J. Coady’s The Soil and Marcel Duchamp’s Fountain: Taste, Nationalism, Capitalism, and New York Dada
• Barry Magrill | Figurated Corbels on Romanesque Churches: The Interface of Diverse Social Patterns Represented on Marginal Spaces
• Gwendolyn Trottein | Drawing Comparisons: Cellini’s Perseus Liberating Andromeda and the Paragone Debate
• Anthony Welch, Martin Segger, and Nicholas DeCaro | Building for the Raj: Richard Roskell Bayne

Reviews / Recensions

• Susan Butlin | Sandra Alfoldy and Janice Helland, Craft, Space and Interior Design, 1855-2005
• Erin Campbell | Susan M. Dixon, Italian Baroque Art, Blackwell Anthologies in Art History
• Janice Helland | Paula Birnbaum, Anna Novakov, Essays on Women’s Artistic and Cultural Contributions 1919-1939: Expanded Social Roles for the New Woman following the First World War
• John Potvin | Katherin Lochnan and Carol Jacobi, Sin and Salvation: Holman Hunt and the Pre-Raphaelite Vision
• Catherine Tite | Michael Snodin, Nigel Llewellyn, and Joanna Norman, Baroque: Style in the Age of Magnificence, 1620-1800

Vol. 34, no. 1 (2009) The Visual Culture of Science and Art in Fin-de-Siècle France / La culture visuelle de la science et l’art dans la France fin-de-siècle
guest-edited by / sous la direction de Serena Keshavjee

Articles

• Serena Keshavjee | Editorial Introduction / Introduction au dossier
• Martha Lucy | Into the Primeval Slime: Body and Self in Redon’s Evolutionary Universe
• Barbara Larson | Mapping the Body and the Brain: Neurology and Localization Theory in the Work of Rodin
• Anne Byrd | The Brush Stroke as Catastrophe: Gasquet’s Cézanne and the Paintings of Bibémus Quarry
• Maria E. Di Pasquale | Joséphin Péladan: Occultism, Catholicism, and Science in the Fin de Siècle
• Serena Keshavjee | L’art inconscient: Imaging the Unconscious in Symbolist Art for the Théâtre d’art
• Allison Morehead | Symbolism, Mediumship, and the ‘Study of the Soul that has Constituted Itself as a Positivist Science’
• Mark S. Morrisson | Occult Chemistry and the Theosophical Aesthetics of the Subatomic World

Reviews / Recensions

• Keith Bresnahan | Anthony Vidler, Histories of the Immediate Present: Inventing Architectural Modernism
• Kathryn Simpson | Margaret Iversen, Beyond Pleasure: Freud, Lacan, Barthes
• Malcolm Thurlby | Peter Richardson, Douglas Richardson, John de Visser, Canadian Churches: An Architectural History

Vol. 33, no. 1/2 (2008) Medical Tabulae : Visual Arts and Medical Representation / Tabulae médicale : arts visuels et représentation médicale
guest edited by Allister Neher and / et Mireille Perron

Articles

• Allister Neher and Mireille Perron | Editorial Introduction / Introduction au dossier
• Christine Conley | Theodore Wan and the Subject of Medical Illustration
• Andrea D. Fitzpatrick | Reconsidering the Dead in Andres Serrano’s The Morgue: Identity, Agency, Subjectivity
• Mary Hunter | ‘Effroyable réalisme’: Wax, Femininity, and the Madness of Realist Fantasies
• Allister Neher | Sir Charles Bell and the Anatomy of Expression
• Hélène Samson | Figuration et esthétique de l’identité génétique : Autour de l’Autoportrait génétique de Gary Schneider
• Cindy Stelmackowich | Bodies of Knowledge: The Nineteenth-Century Anatomical Atlas in the Spaces of Art and Science
• Tamar Tembeck | Exposed Wounds: The Photographic Autopathographies of Hannah Wilke and Jo Spence
• Florence Vinit | Histoires d’enveloppe. Considérations médicales et artistiques sur la peau

Projets d’artistes / Artist’s Projects

• Jeffrey Bruns, Blair Brennan | Science Made Clear / La science faite chair
• Nathalie Grimard | Autopsie d’une identité à la dérive / Autopsy of a drifting identity
• Nicole Jolicoeur | Plaie-image : taies
• Eveline Kolijn | A Virus From Outer Space / Un virus dans l’espace
• Ingrod Mary Percy, Deborah DeBoer | Spiro Viro
• Mireille Perron | Savoir-vivre et autres galanteries / Social Graces and other Fables
• Cindy Stelmackowich | Suspending the Laws of Medical Practice / Suspendre les lois de la pratique médicale

Reviews / Recensions

• Debra Antoncic | Mary O’Connor, Katherine Tweedie, Seduced by Modernity: The Photography of Margaret Watkins
• Kathryn Brown | Ruth Iskin, Modern Women and Parisian Consumer Culture in Impressionist Painting
• Mark A. Cheetham | John O’Brian and Peter White, Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art
• Janice Helland | Elizabeth Cumming, Hand, Heart and Soul: The Arts and Crafts Movement in Scotland
• Carol Magee | Griselda Pollock and Joyce Zemans, Museums After Modernism: Strategies of Engagement
• Dorie Millerson | Sandra Alfoldy, NeoCraft: Modernity and the Crafts
• Romita Ray | Joan Coutu, Persuasion and Propaganda: Monuments and the Eighteenth-Century British Empire
• Sharon Sliwinski | Dora Apel and Shawn Michelle Smith, Lynching Photographs

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Vol. 32, no. 1/2 (2007)

Articles

• James Bugslag | A ‘Lost’ Ivory Casket in the Gort Collection at the Winnipeg Art Gallery
• Alan Hughes | Who Was that Masked Man? An Alexandrian Bronze
• Lesley Jessop | Art and the Gregorian Reform: Saints Peter and Clement in the Church of San Marco at Venice
• Yves M. Larocque | Grace Pailthorpe et Reuben Mednikoff à Vancouver. La transmission du surréalisme au Canada anglais, 1942-1946
• Gillian Mackie | Theodulf of Orléans and the Ark of the Covenant: A New Allegorical Interpretation at Germigny-des-Prés
• Michael Parke-Taylor | Jacques Villon and the Tovell Family: A Canadian Connection with Modernism
• Carmen Robertson | Body Politics and the Art of Norval Morrisseau
• Alena Robin | The Wound on Christ’s Back in New Spain
• Andrea Terry and John Osborne | Un canadien errant: Charles Smeaton and the earliest photographs of the Roman Catacombs

Reviews / Recensions

• Brian Grison and Brett Stevens | Ihor Holubizky, Walter Klepac, Christopher Cutts, Kazuo Nakamura: The Method of Nature / La méthode de la nature; Bryce Kanbara, Tashme²: Early Work of Kazuo Nakamura; Richard William Hill, Kazuo Nakamura: A Human Measure
• Stuart Harrison | Malcolm Thurlby, Romanesque Architecture and Sculpture in Wales
• Laura Levin | Jayne Wark, Radical Gestures: Feminism and Performance Art in North America
• Didier Prioul | Laurier Lacroix, Neil MacMillan, Suzor-Coté, lumière et matière. Suzor-Coté, Light and Matter
  ​

Vol. 31, no. 1/2 (2006)

Editorial Introduction / Mot des rédacteurs

Articles

• Laurent Baridon | Béton et utopie avant 1914 : architecture et « moule social »
• Vera Beyer | Law or Independence —What Does the Frame Stand For?
• Jean-Paul Fourmentraux | Archéologie de l’oeuvre Net art : une esthétique du fragment
• Julia Gelshorn | From Flatness to Space and Back Again: Concepts of Representation in the Work of Gerhard Richter and Sigmar Polke
• Annie Gérin | The Virtual Memorial: Temporality, Interactivity, and the Internet
• Coline Lemoine | Photographie et cinéma chez Henri Focillon : illustrer, sérier, diffuser et enseigner. Le renouvellement d’une discipline
• Rhodri Windsor Liscombe | Modernist Ultimate Thule
• Camille Morando | Le corps sans limites ou l’acéphalité : le personnage d’Acéphale, secret et équivoque, dans les oeuvres des artistes autour du Collège de Sociologie
• Johannes Stückelberger | Mirror Reflections: Robert Smithson’s Dialectical Concept of Space

Reviews / Recensions

• Barbara Arciszewska | Indra Kagis McEwen, Vitruvius. Writing the Body of Architecture
• Matthew Brower | Louis Kaplan, American Exposures; Martha Langford, Image and Imagination
• Ken Carpenter | Alice Goldfarb Marquis, Art Czar, The Rise and Fall of Clement Greenberg
• Catherine Harding | Stephen J. Campbell, Stephen J. Milner, Artistic Exchange and Cultural Translation in the Italian Renaissance City
• Janice Helland | Kristen Frederickson, Sarah E. Webb, Singular Women: Writing the Artist
• Lesley Jessop | Glenn Peers, Sacred Shock. Framing Visual Experience in Byzantium
• Christine Kralik | Virginia Nixon, Mary’s Mother: St. Anne in Late Medieval Europe
• Jean Trudel | Madeleine Landry, Robert Derome, L’Art sacré en Amérique française. Le trésor de La Côte-de-Beaupré

Vol. 30, no. 1/2 (2005) The Portrait Issue / La question du portrait
guest edited by / sous la direction de Lara Perry and / et Eva Major-Marothy

Lara Perry and Eva Major-Marothy | Editorial Introduction / Introduction au dossier

Articles

• Lilly Koltun | A New Portrait Gallery for Canada: Stacking or Unpacking a National Narrative?
• Chantal N. Gibson and Monique Silverman | Sur/Rendering Her Image: The Unknowable Harriet Tubman
• Cynthia Foo | Portrait of a Globalized Canadian: Ken Lum’s There Is No Place Like Home
• Chantal Turbide | Catherine de Médicis (1519-1589) et le portrait : esquisse d’une collection royale au féminin
• Anne-Élizabeth Vallée | L’intérêt et les limites de la recherche sur l’art de la miniature au Canada. La collection de Bibliothèque et Archives Canada
• Meaghan Clarke | (Re)Viewing Whistler and Sargent: Portraiture at the Fin-de-siècle
• Kristina Huneault | Miniature Objects of Cultural Covenant: Portraits and First Nations Sitters in British North America
• Angela Carr | Leaders, Legends and Felons: Negotiating Portraiture, from Veneration to Vandalism

Keynote Paper / Collaboration spéciale

• Sarah Parsons | What Lies Beyond the Slide Library? : Facing the Digital Future of Art History

Reviews / Recensions

• Sarah Bassnett | Lori Pauli, Mark Haworth-Booth, Kenneth Baker, Michael Torosian, Manufactured Landscapes: The Photographs of Edward Burtynsky
• Keith Bresnahan | Sylvia Lavin, Form Follows Libido: Architecture and Richard Neutra in a Psychoanalytic Culture
• John Potvin | Heather Dawkins, The Nude in French Art and Culture, 1870-1910
• Linda Steer | Steven Harris, Surrealist Art and Thought in the 1930s: Art, Politics, and the Psyche; Johanna Malt, Obscure Objects of Desire: Surrealism, Fetishism, and Politics
• Gwendolyn Trottein | Michael W. Cole, Cellini and the Principles of Sculpture; Margaret A. Gallucci, Benvenuto Cellini. Sexuality, Masculinity, and Artistic Identity in Renaissance Italy; Alessandro Nova Anna Schreurs, Benvenuto Cellini. Kunst und Kunsttheorie im 16. Jahrhundert
• Jessica Wyman | Tanya Mars et Johanna Householder, Caught in the Act: An Anthology of Performance Art by Canadian Women

Vol. 29, no. 1/2 (2004)

Articles

• Allister Neher | Riegl, Hegel, Kunstwollen, and the Weltgeist
• Christopher Thomas | Slippery Talk of Parliament’s Architecture: Canadian, Canadian British, or Anglo-American?
• Janice Helland | Exhibition Ireland: The Donegal Industrial Fund in London and Chicago
• Carlo Avierl Célius | L’avènement de l’art naïf en Haïti. La portée instauratrice d’un jugement esthétique
• Marie Fraser | Le narrateur dans l’image. Analyse comparative d’une photographie de Jeff Wall et d’un texte de Walter Benjamin

Notes

• Ariane Isler-de Jongh | Patronage at the Court of Burgundy around 1500: A Note on the Death of St Nicholas Window in the Royal Ontario Museum

Reviews / Recensions

• Pamela Allara | Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement, 1926-1956
• Vivan Cameron | Joan B. Landes, Visualizing the Nation: Gender, Representation, and Revolution in Eighteenth-Century France
• Erin J. Campbell | Rose Marie San Juan, Rome: A City Out of Print
• Angela Carr | Christopher A. Thomas, The Lincoln Memorial & American Life
• Julie F. Codell | Kristina Huneault, Difficult Subjects: Working Women and Visual Culture
• Cathleen Hoeniger | Philip Jacks, William Caferro, The Spinelli of Florence: Fortunes of a Renaissance Merchant Family
• Malcolm Thurlby | Philip McAleer, Rochester Cathedral, 604-1540: An Architectural History
• Catherine Tite | Carol Gibson-Wood, Jonathan Richardson: Art Theorist of the English Enlightenment
• Angela Vanhaelen | Lawrence Gowing, Vermeer, 3rd ed.
• Anne Whitelaw | Kathy E. Zimon, Alberta Society of Artists, the First Seventy Years

Vol. 28, no. 1/2 (2001-2003) Art History Inside and Outside the University / L'histoire de l'art à l'université et hors de l'université
guest edited by / sous la direction de Adele M. Ernstrom

Adele M. Ernstrom | Editorial Introduction

Articles

• Carol Gibson-Wood | George Turnbull and Art History at Scottish Universities in the Eighteenth-Century
• Anne-Marie Link | Art, History and Discipline in the Eighteenth-Century German University
• Adele M. Ernstrom | Entering Art History in the Mid-Nineteenth-Century: Félicie d’Ayzac, Anna Jameson and the Legacy of Mme de Staël
• Lyne Therrien | L’institutionalisation de l’histoire de l’art en France au XIXe siècle
• David Dolan | The Academy, the Market and the Art Museums in the Repositioning of Australian Aboriginal Art

Commentary / Commentaires

• Nicole Dubreuil | New Art Histories: Severing the Incestuous Relation Between the Discipline and the Museum?

Reviews / Recensions

• Sandra Alfoldy | Ellen Easton McLeod, In Good Hands: The Women of the Canadian Handicrafts Guild
• Katie Cholette | Dennis Reid, Matthew Teitelbaum, Greg Curnoe: Life and Stuff
• Susan Close | Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums
• Mitchell Frank | Michael Fried, Menzel’s Realism: Art and Embodiment in Nineteenth-Century Berlin
• Nicolas Gaudreau | Serge Trottein, Laurent Jaffro, Agnès Minazzoli, Yves Radrizzani, Baldine Saint Girons, L’esthétique naît-elle au XVIIIe siècle? (collection Débats philosophiques)
• Reesa Greenberg | Jeffrey Abt, A Museum on the Verge: A Socioeconomic History Detroit Institute of Arts 1882-2000
• Sharon Gregory | Philip Sohm, Style in the Art Theory of Early Modern Italy
• Corinne Mandel | Eckart Marchand et Alison Wright, With and Without the Medici. Studies in Tuscan Art and Patronage 1434-1530
• Juliette Peers | Janice Helland, Professional Women Painters in Nineteenth-Century Scotland: Commitment, Friendship, Pleasure
• Ron Shuebrook | Robert J. Belton, Sights of Resistance: Approaches to Canadian Visual Culture
• Malcolm Thurlby | Dominic Marner, St Cuthbert: His Life and Cult in Medieval Durham
• Gwendolyn Trottein | Ilse E. Friesen, The Female Crucifix: Images of St Wilgefortis Since the Middle Ages
  ​

Vol. 27, no. 1/2 (2000)

Articles

• Joseph Polzer | Concerning the Origin of the Virgin of Humility Theme
• Gwendolyn Trottein | Le Problème de l’ornement chez Cellini : théorie, iconographie et humanisme
• Claudine Majzels | ‘The Man with Three Feet’ in Pieter Bruegel the Elder’s Peasant Wedding
• Brigitte Desrochers | Images de Pompéi
• Nicolas Gaudreau | La Gloire du peintre et les errements de l’Académie : Des pistes pour l’étude des marines de Claude-Joseph Vernet au Salon
• Charmaine A. Nelson | White Marble, Black Bodies and the Fear of the Invisible Negro: Signifying Blackness in Mid-Nineteenth-Century Neoclassical Sculpture
• Sandra Alfoldy | The Commodification of William Morris: Emotive Links in a Mass-Produced World
• Glenn Williams | Translating Music into Visual Form: The Influence of Music in the Work of Bertram Brooker
• Édith-Anne Pageot | Ambiguïtés de la réception critique de l’exposition ‘Canadian Women Artists’, Riverside Museum, New York, 1947

Commentary / Commentaires

• Carol Doyon | Hommage à Raymond Klibansky/Tribute to Raymond Klibansky
• Carol Gibson-Wood | Raymond Klibansky and the Warburg Institute
• Jean-Philippe Uzel | Raymond Klibansky et l’histoire de l’art du XXe siècle
• Raymond Klibansky | La notion de Kulturwissenschaft

Reviews / Recensions

• Nicole Dubreuil | Greg M. Thomas, Art and Ecology in Nineteenth-Century France: The Landscapes of Théodore Rousseau
• Martha Langford | Barbara Fischer, Foodculture: Tasting Identities and Geographies in Art
• Anne-Marie Link | Deborah Cherry, Beyond the Frame: Feminism and Visual Culture, Britain 1850-1900
• Sherry McKay | Christine Stevenson, Medicine and Magnificence: British Hospital and Asylum Architecture, 1660-1815
• Ellen L. Ramsay | Bernard Smith, Modernism’s History